CLR Creations: Abstract Cartography

Christina Leigh is a studio artist based in Savannah, Georgia, working under the name CLR Creations. Her paintings explore abstract cartography, translating landscapes and lived experiences into layered visual maps of movement, memory, and place. Her practice draws on travel, geography, and cultural history to examine how identity forms through our relationship with land.


Christina Leigh is a studio artist based in Savannah, Georgia, working under the name CLR Creations. Her practice centers on abstract cartography, translating landscapes and lived experiences into layered visual maps that explore memory, movement, and place. Through gestural structure and shifting color fields, her paintings approach geography not as static terrain but as a living system shaped by time, experience, and human presence.

Leigh holds a dual Bachelor of Fine Arts in Studio Art and Graphic Design from Florida Southern College and a Master of Science in Marketing from Southern New Hampshire University. Her work has been included in juried exhibitions and received early recognition with a Best of Show award.

Her artistic perspective has also been shaped through extensive travel and independent study in museums including the National Gallery in London, the Smithsonian Institution in Washington D.C., the Prado Museum in Madrid, the Uffizi Gallery in Florence, the Vatican Museums in Rome, and the Museu Nacional d'Art de Catalunya in Barcelona.

She lives and works in Savannah, Georgia.

Artist Statement

My paintings explore abstract cartography, translating landscapes and lived experiences into layered visual maps of movement, memory, and place. I approach maps not as technical diagrams but as living systems that reveal circulation, pressure, and transformation across land. In these works, geography becomes both physical terrain and personal archive, where travel, memory, and identity converge. Each painting reflects an attempt to understand how people move through environments and how those environments quietly shape who we become.

My process begins with observation and recollection of specific places. I work with layered paint structures that echo natural systems such as river paths, shifting coastlines, and geological strata. Lines move through the composition like routes or currents, while color fields accumulate slowly, creating depth that mirrors the experience of moving across terrain. This method allows the paintings to develop gradually, much like landscapes themselves, through time, pressure, and accumulation.

Travel plays a central role in this process. Years spent moving across the United States, particularly within the national parks, reshaped how I understood geography as lived experience rather than static territory. Standing within landscapes such as the Grand Tetons revealed how place holds memory, atmosphere, and shared history. A map of a mountain range does not only describe elevation and distance. It contains moments, encounters, and quiet observations that linger long after the journey ends.

At the same time, maps carry cultural narratives. Throughout history, artists, explorers, and surveyors have shaped how land is seen and claimed. Figures such as Thomas Moran and Julius Haast helped define the visual language through which landscapes were interpreted and remembered. Their work reminds us that images of land are never neutral. They participate in broader conversations about power, belonging, and stewardship.

My paintings exist within this intersection of geography and experience. They offer spaces where viewers can locate themselves within the landscape of the work. In doing so, the paintings invite reflection on how land connects past and present, memory and movement, individual journeys and shared ground.

This painting draws inspiration from Tantalus Estate in Waiheke Island’s Onetangi Valley. Deep reds and dusty rose tones echo the character of Tantalus Syrah, while cooler blues trace the vineyard’s curves, translating the landscape and layered complexity of the wine into an abstract memory of place and experience.

Tantalus, Waiheke Island, New Zealand, 2026
Acrylic on Birchwood Panel, 9”x12”

Residue, Auckland, New Zealand, 2026

Residue is an abstract interpretation of Auckland CBD that layers harbor blues, reflective grays, and flashes of urban warmth to capture the city as an experience rather than a skyline, shaped by weather, movement, and the quiet traces of daily life left on rain slick streets.

Acrylic on board. 8.5” × 11”

Goldie, Waiheke Island, New Zealand, 2026

Inspired by Goldie Estate above Putiki Bay on Waiheke Island, this painting translates vineyard slopes and sea air into abstract cartography. Soft yellows and blush tones echo Pinot Gris notes of pear and blossom, while flowing lines reflect vine rows and the quiet rhythm of the island landscape.

Acrylic on Birchwood panel. 9” x 12”

Little House, Waiheke Island, New Zealand, 2026

Inspired by Casita Miro in Waiheke Island’s Onetangi Valley, this painting reflects an afternoon of sunshine, rosé, and conversation above the vines. Mosaic-like brushstrokes echo the Bond Bar’s tiled patterns, while pinks, reds, and mineral whites capture the vineyard’s warmth, soil, and sea air.

Acrylic on Birchwood panel. 9” x 12”


Travel & Process

Each painting begins with time spent in a place. I observe the landscape, its forms, rhythms, and the way light and movement shape the environment. Later, these impressions return as memory rather than direct representation. Atmosphere, conversation, weather, and the feeling of moving through a place begin to guide the structure of the work.

In the studio, I translate these experiences through layered paint structures that echo natural systems such as rivers, roads, vineyard rows, and shifting terrain. Lines move through the composition like pathways across land, while fields of color build gradually to suggest depth, pressure, and circulation. The resulting forms resemble maps, yet they remain interpretive. The paintings become visual records of how a place was experienced rather than how it is measured.


Biography

Christina Leigh is a studio artist based in Savannah, Georgia, working under the name CLR Creations. Her practice centers on abstract cartography, approaching maps not as technical diagrams but as visual systems that suggest circulation, memory, and movement through land. Her paintings translate geographic experience into layered compositions where color, line, and structure echo the rhythms of terrain and travel. Through this approach, landscape becomes both physical geography and personal archive, recording the ways identity forms through place.

Leigh’s relationship with art began early through formal training at the Pinellas County Center for the Arts, a conservatory modeled program that treated creative practice as both discipline and language. This foundation continued through her studies at Florida Southern College, where she completed a dual Bachelor of Fine Arts in Studio Art and Graphic Design with a minor in Art History. Her academic training emphasized visual literacy, historical context, and the relationship between image making and cultural narrative. She later earned a Master of Science in Marketing from Southern New Hampshire University, an experience that strengthened the organizational and strategic frameworks that now support her studio practice.

Alongside formal education, Leigh’s artistic perspective has been shaped through extensive travel and independent study in major museums and cultural institutions. Time spent studying historical works at the National Gallery in London, the Smithsonian Institution in Washington D.C., the New Orleans Museum of Art, the Prado Museum in Madrid, the Uffizi Gallery in Florence, the Vatican Museums in Rome, and the Museu Nacional d'Art de Catalunya in Barcelona deepened her understanding of how artists across centuries have translated land, power, and cultural identity through visual form.

Her professional path initially unfolded within the gallery and museum communities of New Orleans. Working inside these institutions offered insight into how artwork exists beyond the studio, how it is presented, interpreted, and sustained within cultural systems. During this period her work appeared in juried exhibitions and received early recognition with a Best of Show award.

Leigh later stepped away from formal studio practice to travel extensively throughout the United States, spending significant time within the national park system. This period culminated in Grand Teton National Park, where she lived and worked for seven years while building a parallel career in hospitality, sales, marketing, and revenue management. Over more than a decade she worked with global hospitality brands and later taught as an adjunct professor in hospitality management.

These professional experiences introduced systems thinking, operational structure, and spatial awareness into her creative practice. Constant movement across landscapes and cultures reshaped her understanding of geography as lived experience rather than static territory.

When Leigh returned fully to painting in 2026, these accumulated experiences converged. Her work now reflects the intersection of travel, memory, and land, examining how maps function not only as navigational tools but as vessels of personal and collective history.

Leigh currently lives and works in Savannah, Georgia, where she continues developing her abstract cartography paintings and commission projects inspired by meaningful places around the world.

  • Education

    BFA, Studio Art and Graphic Design
    Florida Southern College

    MS, Marketing
    Southern New Hampshire University

    Pre-Professional Training
    Pinellas County Center for the Arts (PCCA), St. Petersburg, Florida

    Exhibitions

    2026
    Landscape and Places – Virtual Exhibition and Artist Interview
    Arts To Hearts Project, Women in Arts
    International Juried Exhibition

    2013
    Melvin & Burke Gallery
    Juried Exhibition
    Best of Show Award

    Professional Experience

    Studio Artist, CLR Creations, Savannah, Georgia

    Adjunct Professor, Hospitality Management

    Professional experience in hospitality management for Marriott, IHG, Hilton, and Vail Resorts.

    Professional experience in galleries and museums, New Orleans, Louisiana

    Independent Study

    National Gallery, London
    Smithsonian Institution, Washington, D.C.
    New Orleans Museum of Art (NOMA)
    Museo del Prado, Madrid
    Uffizi Gallery, Florence
    Vatican Museums, Rome
    Museu Nacional d’Art de Catalunya, Barcelona

    Collections

    Private collections, United States

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